Nobody hires the better builder. They hire the builder who looks better.
We make the evidence that you're the right choice.
Watch it all the way through
Forty-nine seconds on who you'd be hiring.
The four types of films
Somebody's building a house. They ask around, they get three or four names, and yours is one of them. We make sure you stand out — and build trust as early as we can.
The finished build, filmed the way it was designed to be seen. A walkthrough, the details, the drone work, and the photographs — everything the next client needs to decide what your name should cost.
You on camera, saying why you built it the way you built it — the story of the build, the pieces nobody else would have bothered with. At this level no one is choosing between floor plans. They're choosing whose word to take.
The family you built it for, in the house you built them, saying what the year was actually like. Nobody decides on craftsmanship alone — they're deciding who to trust with a year of their life and a couple million dollars.
We come when a key part of the build is happening — a piece arriving from overseas, a twenty-foot island being set, the timber going up. The house will still be there. The build won't. It's the one asset money can't commission after the fact.
Stated plainly
Most studios make you get on a call before they'll tell you a number. Here are ours — and exactly what lands in your hands.
Where almost every builder starts.
One day on your site. You leave with:
- One filmYour best build, with you in it. The house, and you on why you built it that way. 2–3 minutes.
- 10 cutsVertical, captioned, ready to post. One's a clean listing cut.
- 20 stillsGraded. Yours outright.
First cut in 7 days, final in 14. Go on to a build and half comes off month one.
Nothing finished yet? We shoot the build you're on.
Half books your Proof Day; the balance is due when you approve the film. We re-edit once. If it still isn't something you'd put your name on, you owe nothing further — and if it's you on camera, we don't use it either. A man should be able to bury footage of himself.
Everything, from the best house you've built:
- The home2–3 minutes. Filmed the way it was designed to be seen.
- YouAbout 2 minutes. Why you built it that way.
- The family60–90 seconds. What the year was actually like.
- Two visitsThe house first. The interviews after you've seen the film.
- 20 cutsVertical, captioned, cut from all three.
- 40 stillsGraded. Yours outright.
The house proves the work. You prove the judgment. They prove what it's like to hire you.
Half books the first visit. You see the home film before you pay the rest — and the promise above still holds. If you would publish it, we come back for the interviews.
One visit a month, wherever the best work is happening. One slot covers everything you're building. Every visit:
- One filmThe moment that mattered. 60–90 seconds.
- 10 cutsVertical, captioned. One of them is you, on camera.
- 20 stillsGraded, delivered with the film.
- PartnersA tagged version for your architect and designer.
- Every houseAll three films, as each build finishes. Made from the year instead of a single day. Included.
A month of drywall isn't worth your money or our day. You tell us what's coming; that's where we go.
One client who chooses you because of this pays for the whole year. Three-month start, then month to month. Three slots, total.
Tell us what you're building
Two filmmakers — one in Austin, one in Dallas. The people you meet are the people who make your films.
Send your company name and what's on the schedule this month. We'll come back with a date, usually inside a day.
BOOK A PROOF DAY or write us directly — [email protected] or text us — Ryan (Austin) 360-448-0215 · Adrien (Dallas) 703-975-8865



